'Popular Myths of the Anti-War Movement'

'A myth is a common depression or custom that has grown up around almostthing or someone. It is an idea or story that is believed by many throng but that is not true. Popular music, movies, and lit ar diametric ways that a myth is passed on to the people.\nOne hot myth of the Vietnam war is that it was mostly fought by teenagers. Vietnam War songs evince the soldiers youth. The Shirelles Soldier BoyIll Be True To You (1962), Tommy Dees Goodbye high rail School hullo Vietnam (1966) lyrics sought to draw singers with teenage listeners, and The Whos Baba ORiley, sometimes wrong called Teenage waste matter (1971).\nanother(prenominal) digestular myth is that African Americans were killed at a higher number than other Americans. Political, music, such as We Shall Overcome, had gained hairgrip with the civil rights movement. many an(prenominal) of its singers, such as Joan Baez and Pete Seeger, quickly became fixtures at antiwar rallies. Links amid the civil rights an d antiwar movements are explicit in songs such as Hell No, I Aint Gonna Go (1970), which was co-written and preserve by flavourless Jones, a section of the Student unbloody Coordinating delegacy and its associated musical group, the exemption Singers.\nA unalike style of remonstrance song is go around exemplified by rural Joe and the Fishs iconic I-Feel-Im-Fixing- to-Die-Rag with its catch-phrase, What are we fighting for? / take for grantedt need me I dresst flag a asshole / Next preventative is Vietnam (1965). A like type song, Phil Ochss The Draft corn dodger Rag, (1965) with its theme of getting out of the lottery for medical reasons, was aimed at high school and/or college audiences. Another subcategory pointed out the inequities tied to race and socioeconomic class that allowed some young men, the risk Son, by Creedence Clearwater revival (1969), to avoid military service.\nInitially intent to folk and pop music, p... If you want to get a full-of-the-moo n essay, order it on our website:

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