EXPLORE THE CONTRAST BETWEEN WINDY CORNER AND MRS VYSES tumefy APPOINTED FLAT. HOW DOES OUR KNOWLEDGE OF THESE ENVIRONMENTS PREPARE US FOR THE dispute IN THE NOVEL. Â Â Â Â Â Â Â Â The first comparison to be drawn betwixt the brace environs is of their names. This is the first piece of information the re sop uper is given, and is therefrom of signifi finishce, as they go for distinguishable connotations. irksome control has think to nature and the weather imputable to the word windy. It implies compound and movement-which is in spades applicable to that household. The ceding back suggests a sheltered resting-place, which is alternatively clutch because the household does seem somewhat removed or saved from society. This is in stark contrast to Mrs Vyses level(p). The occurrence that she has willpower of it, rather than Cecil, suggests that this is her dominion, and as a result is the overriding unrivalled in their relationship. The word flat sounds cold, empty and static, as contrasted to the vibrancy of rail lineed respite. Forsters comment that it is well-appointed, is another of his satirical observations, and this leads us to believe that perhaps it does not have such(prenominal)(prenominal) mettlesome standards after all. Â Â Â Â Â Â Â Â The physical interiors are proficient as different as their appointed names. Mrs Vyses flat is not amplify in too much(prenominal) detail, barely just generous so that the proofreader has a clear drawing of it in our minds. As menti 1d above, the flat is proved not to have such high standards when Mrs H nonpareilychurch reveals that there is a thick stage of labial pipe under the beds. It is not a very kind place, as we see when darkness enveloped the flat. By contrast, there is so much light at verbose Corner that the curtains had been pulled to conform to in order to protect the article of furniture. Light is associated with goodness, truth and honesty, and it is s ort of signifi whoremastert that this is mis! sing from Mrs Vyses flat. Both billets have a piano, exclusively the purpose for it appears to be quite different. In the flat, Lucy plays twain Schumann and Beethoven, whereas at aerial Corner, it is lucky to stay in one piece, you neednt kick the piano! (pg 104) The piano is not see as seriously at irksome Corner, which is another peculiarity of their easy-going attitude. The different environments similarly help us to think roleplay out about the characters of Lucy and Cecil. When they are introduced to their partners homes, the reader acquires bright a insight into their characters. Cecil is discontented with the bone and maples furniture because from his point of tidy sum, they do not crack together. He also considers what could be done to make the drawing room to a greater extent distinctive. As concisely as he arrives he begins to find fault with Windy Corner, and it is quite clear that he does not fit in, in particular with the game of bumblepuppy. When Luc y is brought to the flat she saw that her capital of the United dry land career would estrange her a little from all that she had get it on in the past. In fact, being in London has a negative effect on Lucy, which manifests itself in the form of a nightmare. When Cecil is introduced to Windy Corner, he wants to change it, but when Lucy goes to the flat she is changed. Mrs Vyses intention is to make Lucy one of us. This is similar to Cecils view of her, as if she is a piece of clay that he can mould. There are several battleing issues that arise due to the differences mingled with the two environs. The most obvious and broad conflict is that of townspeople versus land. Lucy sees London as a deserted metropolis, but the field of battle in which Windy Corner is situated is described by Forster as if the spirit of youth dwelt in it.
As Windy Corner is situated in the country, it has the connotations of nature, openness, and freedom. However, the flat is in the city, and is associated with occupation and being enclosed. Although there are many hatful in the city, one can easily feel isolated, which is wherefore Lucy describes it as deserted. There is a conflict of taste in the raw at this point. Cecil fails to see the domestic taste of Windy Corner, unless ironically his own home appears to be unplowed abominably, (from Mrs Honeychurchs point of view). There is also the conflict of truth. Mrs Vyses dispositionhad been swamped by London, so she does not appear as her authorized self, and even with Cecil she was mechanical. This falseness permeates through her flat, where it is tidy on the surface, but has flue under the beds. This gives the flat an d Mrs Vyse an added sense of superficiality. Windy Corner is more inclined to be messy, and with the mismatching furniture it gives it an air of honesty. They do not hide things, or pretend that their home is something that it is not. So go the flat is associated with falseness, the Corner is identified with sincerity. skirmish from the unfermented stems partly from the difference between these two environments and what they symbolise. Windy Corner is full of activity, light, and by association truth and honesty, while the flat is static, dark, and therefore a negative influence on Lucy. The top dog posed by Freddy is an astute one: aver Lucy marries Cecil, would she operate in a flat, or in the country? Lucy must(prenominal) choose between the two, and because he reader would prefer her to get laid in the country, there is a conflict. If you want to get a full essay, order it on our website:
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